This blog post will either be way too short or way too long, or both, but I wanted to recap our contribution to NBC's "The Office" episode that aired last Thursday, called "Local Ad"  (also seen here).

In short, Clear Ink was engaged by NBC to provide the Second Life consultation and creation for the episode. We were entrusted by the producers to be authentic, and true to Second Life. Although this was not anything of the massive scale of the CSI:NY endeavor so skillfully conceived and executed by our friends at the Electric Sheep Company and their patrons at CBS, it was a heartfelt undertaking on our part.

A secondary story line in the script called for the character Dwight Schrute to explore Second Life. The realities of a 21 minute TV show narrowed the Second Life story from an actual subplot to a fleeting but effective means to continue the development of character and place that is at the heart of any successful series. So in short order, we find that Dwight wants to mirror his perfect life in a second one, and that as his real life becomes less perfect, he seeks solace in the control and power he has in his second life. It's the longest of the Second-Life related scenes that tells the most: not just Dwight's further immersion into a Second Second Life, but Jim Halpert’s jumping in after Dwight - to spy on him? To care for him? To create his own alternate reality? To share with Pam? That last scene plumbed some z-dimension in a short amount of time.

There was a lot of footage shot for the resulting Second Life scenes, and I learned a lot about the medium and its potential. Parts of four of the scenes made the final cut, and the NBC site has glimpses of 2 of the ones that didn't make it. For all these scenes we had the real world equivalent of storyboarding, location scouting, casting, filming, live audience participation, wardrobe, props, set creation, directing, producing, editing and opening night nerves. My main goal here is to shout out as much of those who helped make it happen here at Clear Ink and in Second Life.

A lot has happened since the episode aired, which I’ll cover in a future blog post.

I’d like to take note of those who joined me in the creative process. TROI Timtam was behind avatar creation and wardrobe, set decoration, and extras, but even more important, acted as in-world producer. Keystone Bouchard built sets on the Clear Ink backlot, and also helped propel the actors across the stage. Nicole Brown was the Clear Ink "real-world" producer on the project, and deserves a blog post of her own to describe her day on location at "The Office" with no sleep the previous night and little to come the next night as she delivered and installed all the scenes. Thanks to Rivkah and Robin who edited lots of raw footage into tight scenes.

To ensure authenticity, most of the scenes were shot in true Second Life locations (including the 4 shown on the episode). The wardrobe and props were from SL creators and vendors. The rest of this post calls out to those who gave us a hand:

Dwight and Jim's avatars started with photorealistic templates that transformed photos of Rainn Wilson and John Krasinski processed through CyberExtruder's "Avatar Island" process.

Who were you wearing, Dwight?
Clothing by Blaze
Hair by =BG= Gearhead Hair@Calla
Shoes by Shiny Things
Eyes by RaC
Glasses by Solar Designer Eyewear
Recorder by Bill Havercamp's Guitar Palace

And who were you wearing, Jim?
Clothing and shoes by Made Men
Hair by Naughty and =BG= Gearhead Hair@Calla
Eyes and Watch by RaC
Guitar by Guitars @ Musician's Paradise Musical Instruments

Locations:
Boardman (seen in the much-publicized still photo)
Ginny Business Center (seen on the episode) - Thanks Ginny, Deeko & linkin
Amsterdam (seen on the episode)
Mesopotamia (seen on the episode) Thanks, Damien
The Blarney Stone at Dublin - a great scene before a live audience. Seen briefly on the show and in a still here. Thanks, Ham and Sitearm.
Paintball Funhouse/ ONCE
On our backlot we also created a paintball arena, an apartment, and a bar (seen here).

Thanks again to everyone involved.